“My practice began with traditional painting and gradually expanded into the exploration of materiality and spatial intervention. What started as formal experimentation has evolved into an inquiry where installation and sculptural perception intersect with lived experience and emotional states, positioning art as a means of sensing, holding, and reconfiguring the unspoken.”


Although the work is still young, it makes me realize that the material is not only a form, but also can carry emotions and memories. This exploration gradually pushed me from two-dimensional painting to more spatial installations and sculptures.
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